Fujifilm X-E5 Mirrorless Camera Analysis

Our opinion: 7 out of 10

Launched at the tail end of 2025, the Fujifilm X-E5 initially faced availability issues, as do most Fujifilm releases. It largely fulfills its promise by serving as a more versatile version of the beloved X100VI, featuring interchangeable lenses.

For those drawn to the sleek and charming X100VI but desiring the option to switch lenses regularly, the X-E5 is the ideal choice. The camera performs exceptionally, with incredible image quality and micro-contrast, staying true to Fujifilm’s renowned color reproduction.

A 40-Megapixel Journey

Originally, the X-E line was Fujifilm's answer to a lightweight, compact rangefinder alternative. However, the X-E5 upends that simplification with additional features and a heftier build, effectively becoming Fujifilm’s definitive rangefinder. It seems the X-Pro series might see no further updates. If a rangefinder is what you crave, this model stands out.

The X-E5 marks the latest iteration in this camera series, if we ignore technicalities about its numbering. It is both the apex and a letdown in some respects.

Let's focus on the highlights: the cutting-edge 40-megapixel APC-C X-Trans V sensor combined with an adept processor, first seen in earlier models, creates breathtaking photos and makes us forget about the need for full-frame.

Another notable upgrade is the inclusion of in-body image stabilization (IBIS), which was previously exclusive to the X-Pro lineup. Fujifilm claims stabilization savings of seven stops, and this aligns with my experience shooting handheld shots during family events without issue.

The X-E5 showcases superior construction compared to its predecessor, the X-E4, offering a more robust build with a unified aluminum top plate, offering a premium feel.

Design and Controls

Borrowing from the X100 series, the X-E5 includes a nostalgic, pretend self-timer switch at its front, doubling as a multi-functional control. While ISO adjustments could be smoother, this joystick and button combo restores key functionalities absent in previous versions.

The Film Simulation Dial

The newly introduced film simulation dial is a topic of debate. It offers three customizable slots for personal film "recipes," yet the absence of an ISO dial calls its necessity into question. Some may view it as redundant in a camera where ISO changes outweigh aesthetic filter applications.

Sharing the same W126s battery with the X100VI limits the shooting capacity to a humble 310 shots. For those familiar with Fujifilm’s ecosystem, no stark differences in RAW images arise when comparing with other models, though subtle improvements are present.

The autofocus system mirrors that of recent Fujifilm cameras, although continuous tracking lags behind competitors. Nevertheless, the intuitive joystick usage for focus point selection compensates, especially when paired with lenses like the classic 35 f/1.4.

Subject recognition impressively identifies human and animal eyes and various objects, demonstrating the benefits of machine learning integration.

Reflecting on the X-E5

While the X-E5 offers plenty to admire, some features are notably missing, such as weatherproofing and a dual SD card slot. The viewfinder remains somewhat constricted, posing a challenge for spectacle wearers.

The upward price trajectory of the X-E5 may deter some, costing approximately $1,699 for just the body and $1,899 bundled with a 23mm pancake lens. Comparisons with the X-T5 highlight this disparity, offering more features for merely $200 extra.

The X-E5’s true value lies not merely in practicality. It appeals to those captivated by its aesthetic and portability. While perhaps not the optimal choice for everyone, it strikes a chord with users drawn to its unique charm and compactness.